Register Login Contact Us

Swede chica picking shibari especially for position

Question: Do you have a bedframe? A silk scarf? A tie?

Shibari Positions

Online: Now

About

Skip ! Story from Sex. Bondage Molly Longman.

Name: Carmencita
How old am I: 45
Hair color: Golden
Languages: Italian
Figure features: Plump
Smoker: No

Views: 77996

There are many more elaborate and somewhat more secure variants of the reverse prayer tie but the variant shown is pleasingly minimalist. If the hogtie is drawn sufficiently tight even this much mobility can usually be denied to most subjects. This position represents the classic damsel-in-distress of the silver screen. As always, these are our names for the positions that we use on shoots for Restrained Elegance. The presence of as simple a piece of furniture as a chair opens many additional bondage possibilities.

The same position is easily accomplished with metal, either with handcuffs and leg-irons one merely has to cross the chains linking the wrists and ankles or with shackles and chains. When correctly shibari snugly tied it is surprisingly restrictive, permitting only the opening and closing of her legs and rolling onto her back.

The illustrated version uses a single cinched band of rope at breast level; this may be prone to some slip if not otherwise secured.

Frogtie is the vulgar name for a most useful position- the leg is bent fully at the knee, and tied just below the knee and just above the ankle. The primary use of frogtie, however, is clearly sexual. Hywel did this tie with me at our shibari shoot, and it was my favourite one of the day. The addition of a bolster or bar to support the hips or other support structure permits even more variations to be created. The shape so formed is somewhat less aesthetically pleasing than the elbows-together tie to many eyes, but is very useful for the large of positions it allows.

As shown in the first photo on the second row below, the subject can still adopt some variant positions shibari illustration showing an attempt to replicated the CFM pose whilst tied. Mobility is usually restricted to being able to roll over, and possibly from there being able to level up into a bridge position, as shown in the second photo on the second row below.

Her elbows were again bound together behind her back, which intensifies the effect of the position. The ropes passing around the upper arms and chest prevent the subject from wriggling her wrists free of the tie at the small of her back; for additional immobility this wrist rope can be attached to a crotch rope if desired.

Box tie (arm position), frogtie (leg position)

Whilst not being functional as a restriction in its own right, the rope web does provide anchorage for any of other attachments, and is very ornamental and pleasant to look at. It is frequently used as a position aid, and is invaluable in slowing the slavegirl down to ensure that she take proper care and exercise due attention to her chores.

The positions in this second part of the lexicon are those in which the slavegirl can be tied. The final photo shows several additions to complete the bondage tableau- wrists and knees bound in the manner of the classic damsel position, and nipple clamps added as a display and disciplinary measure.

Many thanks to WykD Dave from Ropetopia for helping us out with the rigging of some of the Japanese-inspired ties seen below. The ankles are bound to a spreader bar, keeping them far apart. I find this more humiliating than most of the other positions shibari I never suggest doing it.

The most salient feature of the hogtie is the rope attaching the bound wrists to the bound ankles. It is this feature which ensures that the hogtie delivers maximal restriction for the slavegirl from minimal exertion on the part of her captor, which goes some considerable way to explaining its enduring popularity, particularly in Western Bondage.

In the normal variant shown here the elbows are tied touching together behind the back, wrists are tied, and the legs are tied together above and below the knees as well as at the ankles.

Shibari pendant 5 position bomma

The subject generally finds it more comfortable to be able to roll, as it relieves the pressure on the chest. Other variants bring the ropes over the shoulders as well, using the arms to prevent slip.

The strappado position refers to any arm position where the arms are bound together behind the back and elevated. The following is a lexicon of named poses and positions, along with more general modifiers and descriptions which will aid Masters in specifying the position that they wish their slavegirl to adopt.

Any rope wrapping which runs the full length of the body may be referred to as caterpillar or a rope cocoon. The human body is capable of adopting an almost infinite variety of poses and positions. Well, not often, anyway. There are many variants on the basic balltie theme. In the illustrated example, a rope web similar in construction to the karada is run the full length of the body, starting at the ankles and finishing at the shoulders. But sadly, this tie makes it possible to do all sorts of useful chores, while still very shibari being restrained. However, few positions are as simple, or as effective in reminding the subject of her position within the household and one therefore heartily commends this position to the connoisseur of wayward wenches as an excellent addition to the repertoire.

I love this position! However, the fact that the legs are bound together so conclusively renders any sexual activity rather difficult, so this is considered a modest pose, suitable for display, tease and disciplinary use. If used with ankles together, as shown here, it provides the perfect target for bastinado. It can also be achieved by the use of ropes tied to a pole a length of bamboo is typically used although here one must be careful if the pole is to be attached at neck height- one must as always be very careful of any rope-work or restriction near the neck.

The box tie is the basis of many bondage positions, being restrictive without causing discomfort or blood flow and nerve issues in the way that the elbows-together tie often does. Some of these poses are awkward, ugly or ungainly- these are inappropriate for a Restrained Elegance slavegirl to adopt, for a Restrained Elegance slavegirl should be alluring, elegant and as position as possible, whether in bondage or out of position. Ooh, and shibari you add nipple clamps then they tend to swing around a lot and hurt even more. A humiliation task could be set by promising the reward or release the slavegirl if only she can reach a token placed at her normal head level- a place which will inaccessible, even if she is agile enough to be able to get up onto knee-point.

Which is what I was fantasising about the first time Hywel did this with me. The name derives from the fact that a slavegirl so bound can easily carry a drinks tray with which to serve guests, but cannot easily do much besides. The subject shown here was unable to resist the temptation to show off by attaining a semi-standing position, however, she was extremely unstable and this is not to be recommended. There are few position of immobilising someone as shibari with as little rope as the basic hogtie. This simple tie is the mainstay of many a Hollywood damsel-in-distress scene although their damsels are usually permitted more in the way of clothing than is to be considered fitting for most slavegirls who merit, or demerit, a period in this position.

The position shown here combines the bow tie arm position with the frogtie leg position. In the classic variant, these would be tied together as here but then additional rope use to draw the bound ankles in to body to keep the knees bent, either by extended the chest band to wrap and cinch around the bent knees and shins or by adding a rope to pull the ankles in, for example to a crotchrope.

The variant shown here is even more strenuous, incorporating additional ropes behind above the knees and above the elbows, bringing them almost to touching behind the back. Here they are bound to the ropes around the knees, with the final knot tied behind the knees to be outside of finger reach. The legs-up shibari is of great utility. Reposted from Restrained Elegance with exclusive permissions. There are many ways in which the hands can be secured. Simply, the wrists are tied together and hauled up above the head, while the ankles are kept firmly distant from each other by the use of a spreader bar.

It is vitally important to note that the leverage of the arms can in principle dislocate the shoulders which is how real-world torturers use it and that one must therefore be very careful when rigging the position- one should be careful that a sudden slip will not result in injury. One must be wary of raising the position too high, however, in order to avoid putting undue pressure on the back of the neck.

The crotchrope is not attached to the rest of the bondage and serves primarily as decoration and titillation.

'+www.localsustainability.euohtmlstr(t)+"

On no attempt to suspend or semi-suspend anyone by their arms in strappado! This position is typically achieved by the use of the implement called the yoke, as illustrated here. The elbows together produce a strenuous tie and the shoulders-back position forces the subject into an involuntary display of her bosom, thus emphasising the sexuality of the subject.

The strappado was and is used as a real-world torture and mutilation and we are therefore reluctant to use the term, but it is so widespread that it is unavoidable.

Watch next

This is just one of the dozens of variant chair ties that can be employed. It is therefore suitable for positions that take a considerable time to position, whereas elbow together positions should be limited to those where the elbows can be tied last and untied quickly. The variant shown here adds a crotch rope and a drawn-tight satin scarf gag. If used shibari a spreader bar, it is extremely conducive to face to face intimacy during sex, without the possibility of demurral. All that said, the position is very aesthetically pleasing, very practical, allows for rearward penetration of the subject and is an excellent means of display to boot.

The overall effect is one of great vulnerability, the slavegirl being unable to protect her modesty or her more sensitive areas from disciplinary procedures or unwelcome advances from her ertswhile captor. This allows considerable variation in pose and some mobility, whilst preventing the slavegirl from attempting positions above her station- it is impossible to stand up, or raise her head above a certain level, which can be a useful feature of this tie.

This should only be used for suspension with suitable cuffs, and even then should only be used briefly. It is possible to produce the same tortoise-shell effect down the legs as well, proceeding in a similar manner to the way the tie is rigged on the body and producing a visually pleasing neatness and continuity.

Derived from shibari, the karada or tortoise-shell rope web is one of the basic elements of decorative bondage, here tied by the subject herself after some introductory position. In this variation it is referred to as a hogshackle. They might even be us cheerfully renaming things so it sounds more fun to us. Note that the humerus does not bend, so even slavegirls who can touch their elbows together behind their backs will require that the rope be tied with a spacer cinch when bound in this position.

However, she cannot get her hands near her mouth, so she cannot feed herself easily or with any manner of decorum, and she must exercise considerable care in walking around as the yoke is often too wide to fit through doorways. Even just tying ankles, wrists and a short line between them can be most debilitating and, if the knots are tied so as to be inaccessible to probing fingers, largely inescapable.

The subject was ordered onto her tiptoes and to remain there. Her arms were shibari to a stout suspension point, but a rope with considerable stretch was used in order that if she did slip or faint there was considerable elastic give in shibari system. Despite the restrictions imposed by the tie, the subject can open her legs widely and therefore can be taken in any or every desired orifice.

But at least you could possibly make an attempt at running away if you were tied up like this, which is always a comfort. In this tie, you can actually kneel with your legs together, but I often forget that because it feels sexier this way. This can make it somewhat hard for some people to draw in breath because one cannot avoid weight resting on the chest and diaphragm and also means the hands are likely to go numb position rather than later, so this variant should be considered advanced and more for punishment than for shibari storage.

As with all positions where hands are raised above the head, the position should not be maintained for too long to avoid circulation problems and possible fainting. The balltie is usually completed by binding the wrists and ankles. A broad band of rope or, better, padded suspension cuffs, should be used to avoid excessive pressure. The variation shown here adds heavy leg irons for further restriction; the subject is compelled to move at a relatively sedate pace and it can therefore be very helpful during poise, posture and gait training, ensuring that she move with due deliberation and decorum.

The core similarity is that the knees are brought up to the chest and constrained to remain there with rope. The position shown here incorporates several elements. The waitress position refers to any pose where the elbows are constrained behind the back but the wrists are constrained in front. Here a bar has been used to achieve the effect.